Between 603 and 702 AD. a truly marvelous temple was built by the Mayan people to honour a non-Mayan, non-Indian man. The firsthand account of Alberto Ruz from 'Eyewitness to Discovery' follows in part, as it was printed in ‘Illustrated London News':
Four spells of work--each two and a half months long--were required before we were able to clear the filling from this mysterious staircase. {It has an important serpent figure on the walls all the way down.} After a flight of forty-five steps, we reached a landing with a U-turn. There followed another flight, of twenty-one steps, leading to a corridor, whose level is more or less the same as that on which the pyramid was built--i.e., some 22 metres under the temple flooring. In the vaulting of the landing two narrow galleries open out and allow air and a little light to enter from a near-by courtyard.
Above one of the first steps we reached we found a box-shaped construction of masonry containing a modest offering: two ear-plugs of jade placed on a river stone painted red {The colour of ochre and cinnabar that we have seen denotes spiritual things in the beginning of processes that adepthoods of the world are seen involved with.} On reaching the end of the flight of stairs we found another box of offerings, backing on to a wall which blocked the passage. This time it was a richer offering: three pottery dishes, two shells full of cinnabar, seven jade beads, a pair of circular ear-plugs also of jade, the plugs of which were shaped like a flower, and a beautiful tear-shaped pearl, with its 'lustre' pretty well preserved. An offering of this kind, at such a depth, told us without any doubt that we were approaching the object of our search.
And, in fact, on July 13, 1952, after demolishing a solid obstruction some metres thick, made of stone and lime--this was very hard and the wet lime burnt the hands of the workmen--there appeared on one side of the corridor a triangular slab, 2 metres high, set vertically to block an entrance. At the foot of this slab, in a rudimentary stone cut, there lay, mixed together, the largely destroyed skeletons of six young persons, of whom one at least was a female.
At noon on the 15th of the same month we opened the entrance, displacing the stone enough for a man to pass through sideways. It was a moment of indescribable emotion for me when I slipped behind the stone and found myself in an enormous crypt which seemed to have been cut out of the rock--or rather, out of the ice, thanks to the curtain of stalactites and the chalcite veiling deposited on the walls by the infiltration of rain-water during the centuries. This increased the marvellous quality of the spectacle and gave it a fairy-tale aspect. Great figures of priests modelled in stucco a little larger than life-size perhaps just 'giants’. formed an impressive procession round the walls. The high vaulting was reinforced by great stone transoms, of dark colour with yellowish veins, giving an impression of polished wood.
Almost the whole crypt was occupied by a colossal monument, which we then supposed to be a ceremonial altar, composed of a stone of more than 8 square metres, resting on an enormous monolith of 6 cubic metres, supported in its turn by six great blocks of chiselled stone. All these elements carried beautiful reliefs.
Finest of all for its unsurpassable execution and perfect state of preservation was the great stone covering the whole and bearing on its four sides some hieroglyphic inscriptions with thirteen abbreviated dates corresponding to the beginning of the seventh century A.D., while its upper face shows a symbolic scene surrounded by astronomical signs.
I believed that I had found a ceremonial crypt, but I did not wish to make any definite assertions before I had finished exploring the chamber and, above all, before I had found out whether the base of the supposed altar was solid or not. On account of the rains and the exhausting of the funds available for this phase of the exploration, we had to wait until November before returning to Palenque… I then had the base bored horizontally at two of the corners, and it was not long before one of the drills reached a hollow space. I introduced a wire through the narrow aperture and, on withdrawing it, I saw that that some particles of red paint were adhering to it… This colour was associated in the Mayan and Aztec cosmogony with the East...
{This is true of the gateway arch at Tiahuanaco where they talk of the red lands to the east that went under the water. It likely relates to what is now found off the coast of Cuba at the 2200 foot depth.}
Once the stone left its seating and began to rise it could be seen that a cavity had been cut out of the enormous block which served it as a base. This cavity was of an unexpected shape, oblong and curvilinear, rather like the silhouette in schematised form of a fish or of the capital letter omega {Which we have seen regarding Teilhardism. Could this have been a man like Count Vlad of the Christian Dragon crusaders? Could it be the forerunner of the Jesuit/Illuminati knowledge including Teilhard?}, closed in its lower part. {My Stele details how at Chichen Itza I was able to see the Greek alphabet and what I believe was the Cara-Maya alphabet as well as mathematical, astrological and other symbols. I was threatened with being thrown in a Mexican jail and coerced to sign away my legal protection as a U.S. resident and Canadian citizen. This stele is not on the tour and was painted over the second time I was there. It was painted over more than once and difficult to photograph. The work of Churchward says the Greek alphabet [this was an early alphabet] tells the story of the destruction of Mu. The Mayan people know that is their origin. But the Greek and Mu tie-in may have something to do with Troy III which was named Aa-Mu. This kind of information would be sensitive to a lot of people. The Mexicans were negotiating [roadblocks and army goons with guns all over] with the Mayans in Chiapas at the time.} The cavity was sealed by a highly polished slab fitting exactly and provided with four perforations, each with a stone plug. On raising the slab which closed it we discovered the mortuary receptacle…
In the vermillion-coloured walls and base of the cavity which served as a coffin, the sight of the human remains--complete, although the bones were damaged--covered with jade jewels for the most part, was most impressive. It was possible to judge the form of the body which had been laid in this 'tailored' sarcophagus; and the jewels added a certain amount of life {There were probably metal knives and a staff which came from something other than the meteorites the Mayans made knives from. The Mayans weren’t encouraged by the Mexicans to take pride in their heritage. There was a time when they were even saying there were no Mayans left, as they tried to make it become the truth}, both from the sparkle of the jade and because they were so well 'placed' and because their form suggested the volume and contour of the flesh which originally covered the skeleton. It was easy also to imagine the high rank of the personage who could aspire to a mausoleum of such impressive richness.
We were struck by his stature, greater than that of the average Mayan of today; and by the fact that his teeth were not filed or provided with incrustations of pyrites or jade, since that practice (like that of artificially deforming the cranium) was usual in individuals of higher social ranks. The state of destruction of the skull did not allow us to establish precisely whether or not it had been deformed. In the end, we decided that the personage might have been of non-Mayan origin {N.B.}, though it is clear that he ended in being one of the kings of Palenque. The reliefs, which we have still to uncover on the sides of the sarcophagus and which are now hidden under lateral buttresses, may tell us before long something of the personality and identity of the glorious dead.
Even if he had not been buried in the most extraordinary tomb so far discovered in this continent of America, it would still be perfectly possible to assess the importance of this personage from the jewels which he wore--many of them already familiar in Mayan bas-reliefs {Therefore some not?} As shown in some reliefs, he was wearing a diadem made from tiny disks of jade and his hair was divided into separate strands by means of small jade tubes of appropriate shape; and we discovered a small jade plate of extraordinary quality cut in the shape of the head of Zotz, the vampire god of the underworld, and this may have been a final part of the diadem {Elsewhere reported as part of a necklace, by others.}. Around the neck were visible various threads of a collar composed of jade beads in many forms--spheres, cylinders, tri-lobed beads, floral buds, open flowers, pumpkins, melons, and a snake's head (Chanes and Dragons}. The ear-plugs were composed of various elements, which together made up a curious flower.
The amount of jade and the meaning of each thing on the necklace or the crouched man on the ring of jade are all packed with meaning. You could say that each of the insignia represented a spirit that one of the tribes honoured or worked with, you could imagine they are like Boy Scout badges, and you could say they are just decoration. The jade and green vitreole is an interesting connection that might make me think of geopolymerization, but I doubt it was tested for that possibility. The crouched man is a position of many honored Kelts when buried.
The ear plugs of special flower design reminds me of the lotus chakra and the place where the 'Third Eye' rests inside the brain. Perhaps the energy of the crystals and stone were created to accentuate certain energy or direct it into specific forms. Maybe I am just guessing too much; but symbols always mean something. At his feet were jade beads so large as to be hollowed and they had a flower plug. Kukulcan/Quetzacoatl directed the natives to sacrifice flowers rather than people in the centuries that followed. It would surprise me if this person was not one of the heritage of those mythic heroes who came and went throughout the Americas. I think they acted like Ovates of the Druidic or Bardic Tradition from the writings I've seen.
It is entirely likely that they and their families were to become the Toltecs. They were most sought after as mates among the various people. Ruz draws a lot of inferential connections to the Egyptian symbology and practices. I agree with some but also repeat imitations of pyramids that house tombs in America does not make Giza Pyramids into funerary tombs. Here also is a 'Tree of Life' and a Cross that is part of many belief systems throughout the world. It amazes me to hear the scholars say things like there is no cultural impact from other continents on the Americas when I read things like this; perhaps I use too much intuition or common sense and would have learned the error of my ways if I had become an archaeologist.
"The presence here, in a sepulchre slab, of motives which are repeated in other representations gives perhaps the key to interpret the famous panels of the Cross and the foliated Cross (in Palenque) and also some of the paintings in the codices. On the stone in question we see a man surrounded by astronomical signs symbolizing heaven--the spatial limit of man's earth... But above the man rises the well-known cruciform motif, which in some representations is a tree, in others the stylised maize {Like in Rosslyn Castle of the Templar Stewarts.} plant, but it is always the symbol of life resurgent from the earth, life triumphing over death." (2)
'Astronomical' should be astrological, in my mind. The Mayan (and Peruvian) ability to prophesize is legendary. They correctly knew the many key disasters of their history well in advance. The planet Venus plays a key role in their calendrical sky watching. There are many ways to report on these things, but I ask again; why not include other theories and related facts. When he wrote this he might have known about the Hopewell/Adena mound builders that many archaeologists see a relationship with. The serpent that rises up the stairs at a specific day each year through the shadows of a construction and placement so exact, might be of interest. The placement of all Mayan temples on a center point theory tied in to the earth energy grid could have been connected to the crystal ear plug receivers.
There, I go again! Just a lot of 'possibilities', but where are the facts? It was good that he drew connections to Egypt and omega could have a great deal of meaning as we said to make a connection with Greece. In Chichen Itza at the Villas Archaeologique I saw many Greek or Etruscan statues dated to the appropriate era. The more recent sculpted faces were totally Mayan/Aztec with the tongue and grotesque exaggerated features. It is hard to imagine that he would not have been there. It is the place where all the archaeologists stayed while uncovering the Mayan culture at the end of the 19th century. The editor of the book could have made notations about the breaking of the Mayan code that shows it has a phonetic as well as pictographic language, which wasn't known to Ruz.
Author of Diverse Druids, COlumnist for The ES Press Magazine, Guest 'expert' at http://www.World-Mysteries.com">World-Mysteries.com
Article Source: http://EzineArticles.com/?expert=Robert_Baird
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